When I heard that we would be making films, my first instinct was to be the main star. Maybe it's the gay in me.
Mariam and I are the only two constant characters in our film. We are lifelong friends who decide to come together as the world is ending to spend a few tranquil moments together before it all comes crashing in on us. Nice, huh? A lot of the lines we had in the film are very dramatic and took a few takes for us to get right. Acting is way more difficult that I thought.
How does anyone decide who is the “best” at acting? We give shiny golden statuettes to those we deem the best, but what does it mean? I think it means who is the most believable. I know that towards the 80’s and 90’s there was a push away from the “larger than life” acting from movies like Sunset Boulevard. The push was towards a more realistic form of acting that made the audience think they were watching real life. I think an actor should do whatever the director wants. After all, they are the ones who were hired, right? I completely understand an artist’s room for interpretation and adjustment, but it should be at the director’s discretion. If they want improvisation and a certain feel to a performance, then they should tell their actor to go for it. In regards to our film we sort of let the actors decide how we wanted to portray the characters. This was mainly because we were slightly insecure in front of the camera and wanted to be sure and make our performances as real as possible.
We mostly stuck to our script when we were filming, but Mariam and I threw in some improvisations. It made it feel much more natural. We both responded well to what each other would actually say instead of what the script told us to say. It’s difficult to play off another actor though. I was never quite sure what she was thinking, even though we discussed before each shot what would go on. When the camera is rolling it suddenly changes everything. It’s funny how much power that little piece of technology has over our minds.
I’m nervous about watching myself on screen in front of other people. I think most new actors probably are. It’s an insecurity that probably won’t ever really go away.
Monday, April 26, 2010
eXpErImEnTaL.
When we first found out that our genre was experimental, we were all a little skeptical. This was mainly because we had no clue what an experimental film actually was. But experimental is just that: an experiment. It challenges what the audience perceives a film to be. We're doing our best to challenge our audience while still keeping the film entertaining! I think it's working…
A film about the end of the world isn't exactly original these days, so we decided to take a slightly different approach. Similar to the movie "Signs," we tried to focus on main characters that were completely uninvolved in the chaos taking place. In films such as "Independence Day," the audience is given multiple viewpoints that show us exactly what is going on. In our film we show several viewpoints, but only from average people who are either panicked, oddly calm, or about to die. It's freakier that way, I think!
We agreed that odd camera angles would be a good way to be experimental, but how do we go about that? Matt basically just tried out several different positions when we were filming a scene. Often times he was lying on the ground or slanted completely sideways to try and create an interesting effect. One scene has Matt running behind some people to simulate what it would be like to be the person in the back of the group. Another shot shows people running out of a door frantically, but only from their knees to the floor. My favorite shot in the film is the very last one, but I don't want to spoil the ending just yet! Hopefully these shots will come off as interesting, and not just lame attempts to be different.
That leads me to my next point. One of my concerns about our film is that there is so much pressure on our film to be odd or different that we seem almost indifferent about our mistakes. I have found that all of us shrug off little issues like messing up a line or not getting an adequate shot with, "Oh it's okay. It's supposed to be experimental." But I still want it to be a legitimately well made film. I'm not really worried though. Our group will definitely pull together and polish any mistakes that we may have made.
A film about the end of the world isn't exactly original these days, so we decided to take a slightly different approach. Similar to the movie "Signs," we tried to focus on main characters that were completely uninvolved in the chaos taking place. In films such as "Independence Day," the audience is given multiple viewpoints that show us exactly what is going on. In our film we show several viewpoints, but only from average people who are either panicked, oddly calm, or about to die. It's freakier that way, I think!
We agreed that odd camera angles would be a good way to be experimental, but how do we go about that? Matt basically just tried out several different positions when we were filming a scene. Often times he was lying on the ground or slanted completely sideways to try and create an interesting effect. One scene has Matt running behind some people to simulate what it would be like to be the person in the back of the group. Another shot shows people running out of a door frantically, but only from their knees to the floor. My favorite shot in the film is the very last one, but I don't want to spoil the ending just yet! Hopefully these shots will come off as interesting, and not just lame attempts to be different.
That leads me to my next point. One of my concerns about our film is that there is so much pressure on our film to be odd or different that we seem almost indifferent about our mistakes. I have found that all of us shrug off little issues like messing up a line or not getting an adequate shot with, "Oh it's okay. It's supposed to be experimental." But I still want it to be a legitimately well made film. I'm not really worried though. Our group will definitely pull together and polish any mistakes that we may have made.
I Love My Team.
I would first like to say that Mariam Kahn, Jo Beth Sence, and Matt Miller are awesome. We are group 5 for Donna and Erik's film project; we have been given the genre of "experimental" to work with, and we have come up with some really unique ideas. All four of us bring forth different skills that make us valuable assets to what has been my favorite team I have worked with in Honors so far.
Mariam is the director, and she does just that. She organizes, plans, and enforces what we are going to do in her own calm, welcoming way. She is the one who makes the phone calls, mass texts, and schedules for when we are going to film. She has been responsible for keeping an up-to-date screenplay so that we know where our film stands. She also doubles as one of the main stars of our film. Basically I'm really proud of the work she has done, and I think that she should step up and be a leader more often in any group she is involved with in the future.
Jo Beth is the sound editor technically, but really she's the mom of the group. She is the one who makes sure that everyone is where they need to be on set. She will stand out of the shot and make sure there are no interruptions from outsiders while we're trying to film. Jo Beth will often encourage us by giving helpful tips about how we should read a line or how we should be acting in general. She is very open to new ideas and brings forth a lot of her own.
Matt is the definition of what a camera man should be, in my humble opinion. He is a boy, and therefore he likes toys. The camera is one huge toy that he loves to play with and learn about. He is constantly searching for new angles from which to shoot or new ways we can tell our audience our story. He takes direction very well, and he also will just try new things without even telling us… and we end up loving them!
I am the editor, and I have such exciting things plan for the film. I already have the entire film strung out in my head, complete with music. I really hope that Donna, Erik, and the rest of our class appreciate the work we have put into our experimental film. Next week should be exciting!
Mariam is the director, and she does just that. She organizes, plans, and enforces what we are going to do in her own calm, welcoming way. She is the one who makes the phone calls, mass texts, and schedules for when we are going to film. She has been responsible for keeping an up-to-date screenplay so that we know where our film stands. She also doubles as one of the main stars of our film. Basically I'm really proud of the work she has done, and I think that she should step up and be a leader more often in any group she is involved with in the future.
Jo Beth is the sound editor technically, but really she's the mom of the group. She is the one who makes sure that everyone is where they need to be on set. She will stand out of the shot and make sure there are no interruptions from outsiders while we're trying to film. Jo Beth will often encourage us by giving helpful tips about how we should read a line or how we should be acting in general. She is very open to new ideas and brings forth a lot of her own.
Matt is the definition of what a camera man should be, in my humble opinion. He is a boy, and therefore he likes toys. The camera is one huge toy that he loves to play with and learn about. He is constantly searching for new angles from which to shoot or new ways we can tell our audience our story. He takes direction very well, and he also will just try new things without even telling us… and we end up loving them!
I am the editor, and I have such exciting things plan for the film. I already have the entire film strung out in my head, complete with music. I really hope that Donna, Erik, and the rest of our class appreciate the work we have put into our experimental film. Next week should be exciting!
Adaptation.
When I looked on the syllabus and saw that we would be watching a film called "Adaptation," I immediately remember glimpses of its cover in Movie Gallery: a broken pot with a flower spilling out of it, and maybe there was a face on the pot? Creeeeepy. Well, it turned out to be my favorite film we have watched all semester. First of all, it has an all-star cast. Nicholas Cage, Meryl Streep, Chris Cooper, Tilda Swinton.. just to name a few. Cooper actually won his first Oscar for this performance, and deservingly so. The film is about a Hollywood screenwriter named Charlie Kaufman (Cage) who is struggling to match the success of "Being John Malkovich," which had written a few years before. Kaufman is a self-loathing man who is balding slowly but surely. He also believes he is fat, but really he's about average. It's from the loathing.
Arguably the most intriguing character in the film Is John Laroche (Cooper), an odd, tooth-less man who hunts down rare flowers (particularly the Ghost Orchid) for illicit drug use in the swamps of Florida. Susan Orlean (Streep) is a successful writer for the New Yorker pursues Laroche about his escapades to aide in the book she is writing about flowers. They become great friends and eventually estranged lovers. The plot eventually digresses into a cheap Hollywood style ending complete with gory deaths and car chase scenes to symbolize how writers are forced to "sell-out" their intriguing endings to their screenplays for entertainment purposes.
I think my favorite part about this film was Kaufman's obsession with Orlean's novel, "The Orchid Thief." The book sounds very intriguing; I'd love to read it someday. Kaufman cannot grasp why Hollywood would not accept a film accept a film strictly about the beauty of flowers. He is told by a professional screenwriter than it could possibly be done, but an ending would have to captivate the audience. I wonder why audiences cannot settle for an ending that doesn't necessarily resolve in a way we are told it should. A movie about flowers that simply ends doesn't seem feasible to most people. However at the end of the movie (after all of the trite scenes of gore and violence) there is a shot of a flower over a span of a few days. It's like he got what he wanted after all. Great ending and a great movie that I highly recommend to anyone.
Arguably the most intriguing character in the film Is John Laroche (Cooper), an odd, tooth-less man who hunts down rare flowers (particularly the Ghost Orchid) for illicit drug use in the swamps of Florida. Susan Orlean (Streep) is a successful writer for the New Yorker pursues Laroche about his escapades to aide in the book she is writing about flowers. They become great friends and eventually estranged lovers. The plot eventually digresses into a cheap Hollywood style ending complete with gory deaths and car chase scenes to symbolize how writers are forced to "sell-out" their intriguing endings to their screenplays for entertainment purposes.
I think my favorite part about this film was Kaufman's obsession with Orlean's novel, "The Orchid Thief." The book sounds very intriguing; I'd love to read it someday. Kaufman cannot grasp why Hollywood would not accept a film accept a film strictly about the beauty of flowers. He is told by a professional screenwriter than it could possibly be done, but an ending would have to captivate the audience. I wonder why audiences cannot settle for an ending that doesn't necessarily resolve in a way we are told it should. A movie about flowers that simply ends doesn't seem feasible to most people. However at the end of the movie (after all of the trite scenes of gore and violence) there is a shot of a flower over a span of a few days. It's like he got what he wanted after all. Great ending and a great movie that I highly recommend to anyone.
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